We are seeking submissions from international visual, performance and mixed-media artists, activists, scholars, historians, scientists, and geographers utilizing decolonial, feminist, queer, anti-racist, anti-ableist and multispecies approaches that explore the relational and responsive multi-species act of “becoming-fluid” within the urges and urgencies of our shifting ecological context.
Deadline EXTENDED: Monday 11 March 2024 (by midnight BST)
Outcomes will be notified via email in April 2024
Intended Publication: Winter 2025
becoming—Fluid is the final book in the initial BECOMING trilogy, a creative publication series aiming to investigate the complex relationships between humans and other bodies through the concept of becoming. We conceptualize becoming as a recurrent act of deconstructing the boundaries between bodies, constructing malleable new borders in which multiple identities exist simultaneously; a continual performance of immanence and difference. BECOMING is a series of creative-research publications that draws together artists, researchers and practitioners to reimagine ways of being in response to the urgent realities of climate change—comprising anthropogenic global warming and sea-level rise, desertification and agricultural failures, ecosystem fragmentation and mass species extinction—and the concurrent undermining of democratic practices worldwide in the wake of runaway technoscientific capitalism, all of which are reifying and exacerbating existing socio-ecological inequities and injustices.
Through the form of a performative atlas, becoming—Fluid will map the fluid relations of bodies across various contexts (spatially, temporally, materially, and epistemologically) in order to explore the shifting landscapes, political mutations, and multispecies ecologies set in motion by the terraforming forces of climate and capitalism.
Specifically, we are seeking submissions in the form of a creative entry which is framed around a particular body, landscape, network, or process (e.g. Loch Awe, Firth of Forth, or Thames Estuary; South Atlantic Gulf Basin or Great Basin; Gulf Stream or La Niña). We are seeking visual artworks; radical cartography; performance documentation, notation, or scoring; critical and creative writing; and poetry or prose for consideration in the print edition of becoming—Fluid; and multimedia contributions for consideration in the digital edition.
Unfortunately, the online Airtable Form cannot save progress, so you may wish to plan your responses before inputting into the online form using the document below:
Please note that we are open to accepting entries in any language should that be appropriate for your entry. Translation is not always appropriate for the flow of ideas, concepts, and aesthetic experience as language is directly linked to your being-in-the-world. We do ask that you provide a working translation of any text not in English for the editorial team’s reference.
Josh Armstrong, Objet-a Creative Studio & Royal Conservatoire of Scotland, GBR
Chessa Adsit-Morris, University of California, Santa Cruz, USA
Alexandra Lakind, American Council of Learned Societies, USA
Rebekka Sæter, Norwegian Bioart Arena, NOR
Emery Jenson, University of Wisconsin-Madison, USA
Contact the editors with any queries related to the call or submission process:
editors@becoming.ink
becoming—Fluid is a research-creation project led by Objet-a Creative Studio in association with the Norwegian Bioart Arena (NOBA); The Center for Creative Ecologies; the University of California, Santa Cruz; and the Royal Conservatoire of Scotland.
Until the end of the open call you can receive 20% off all BECOMING products with the code: FLUID20.